Both images were heavily criticised because they were faceless. It was at this point I adopted, what the critic A.D. Colman has termed, ‘the directorial mode’. But I wouldn’t invent a photograph (what an absurd idea); I’d take a photograph to record something I (we) already did – as a kind of ‘ladder to an idea’.
Here’s the dress rehearsal for ‘Sex Mechanic’, a photograph - inspired by the embrace of a mandolin and the touching-up of a Princess - that required the actors to appear in a state of undress.
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